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嘿这就是诗经高清海报 - 星影臻播_国产臻选影视典藏免费看,免 VIP 无广告,经典片高清修复 + 新片同步更,短剧大全免播放器看免费在线观看
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嘿这就是诗经

导演:

张晓雯 张 剑 左 钊 杨之行 刘国旭

主演:

薛艳春,王大鑫,曹梦鑫

别名:

未知

影片信息

5.0

20人评分

汉语普通话

语言

2025-08-02

上映时间

30分钟

片长

影片简介

《嘿,这就是诗经》由河北广播电视台摄制,河北省广播电视局、河北传媒学院联合出品,围绕《诗经》展开叙述,诠解《诗经》的成书、来源、流传以及书中的主要内容,创新性地普及中华优秀传统文化。本片入选国家广电总局“记录新时代”纪录片精品项目。

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比克拉姆:瑜伽:大师:性侵犯

评分:8.0

更新时间:02月09日

主演:Bikram Choudhury,Larissa Anderson,Francesca Asumah,Sarah Baughn,John Dowd,Mukul Dutta,Micki Jafa-Bodden,Carla Minnard,理查德·尼克松,Mark Quigley,Val Sklar Robinson,Mandeep Kaur Sandhu,Jakob Schanzer,Patrice Simon,Liz Winfield

简介:

  《比克拉姆:瑜伽、大师、性侵犯》审视了颇具争议的高温瑜伽创始人比克拉姆·乔杜里跌宕起伏的一生。20 世纪 70 年代初,乔杜里从印度加尔各答来到比弗利山庄,他很快就拥有了一批名人追随者,并打造了全球健身帝国,这为他带来了巨额财富。但直到 21 世纪 10 年代,随着大量性侵指控的出现,以及有关他充满攻击性、类似邪教的训练环境的故事浮出水面,诉讼开始增多,乔杜里的非法教学风格成为头条新闻。Netflix 原创纪录片《比克拉姆:瑜伽、大师、性侵犯》由奥斯卡金像奖得主伊娃·奥尔纳(《开往暗处的的士》《避难亦遭难》)执导,萨拉·安东尼(《神山》《反叛者》)担任制片人,讲述了那些打倒乔杜里的女性的故事,并针对这门疗愈性学科如何在帮助人的同时给许多人带来伤害这一问题,探索了其中的矛盾。

阅读量:3864

年份:2019

比克拉姆:瑜伽:大师:性侵犯

主演:Bikram Choudhury,Larissa Anderson,Francesca Asumah,Sarah Baughn,John Dowd,Mukul Dutta,Micki Jafa-Bodden,Carla Minnard,理查德·尼克松,Mark Quigley,Val Sklar Robinson,Mandeep Kaur Sandhu,Jakob Schanzer,Patrice Simon,Liz Winfield

情感的力量高清在线观看 - 星影臻播_国产臻选影视典藏免费看,免 VIP 无广告,经典片高清修复 + 新片同步更,短剧大全免播放器看
386
5.0
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情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

嘿这就是诗经

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