北纬25°天空下

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为了报复父亲之死，三兄弟闯入当地地主的橡胶庄园。一开始是一个田园诗般的计划，很快就演变成了房东疯狂的儿子手中一场越来越离奇和暴力的生存追逐。

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　　This new documentary special is about the most intact slave shipwreck found to date and the only one for which we know the full story of the voyage, the passengers and their descendants.

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璎珞与师父初到京城搭班唱戏，遇到了大学生顾铭轩，两人一见钟情，私定终身。不久铭轩被抓回家。军阀混战开始，顾家逃难离京；师父也暴病身亡，璎珞孤身一人，挺着身孕，重返梨园。                                                                      　　一年后，璎珞遇到京城南区的帮派老大杨隆恩。杨同情璎珞，帮忙寻找顾家人。但此时的铭轩已被逼娶了另外的妻子。璎珞撕碎了结婚证明，成了杨夫人。                                                                      　　铭轩为振兴家业，不得不与杨的宿敌柳三爷合作，柳三爷借铭轩之手害死杨，万念俱灰的璎珞把孩子交给铭轩，决意与柳三爷玉石俱焚……

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第42屆金穗獎學生作品類最佳劇情片傳說，在晚上雙手合十，不說話、不回頭，虔誠的走過十間廟，願望就會實現。三個女高中生相約一起出發，行前卻多了另一個別校的女學生。「一、二、三、四、五...六、七、八、九，等一下不要吵我，十！」《合十》講述三個同班女生相約在晚上進行一個神秘儀式：只要在晚上不說話、不回頭，走過十間廟許願，願望就會成真。發起人小美的願望是成功跟好朋友小倩表白；而小倩暗戀班上一個男生；家欣的願望則是不希望小倩成功。出發之際卻多了一個鄰校女孩小畢，她的願望又是甚麼？

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本片的男主，鬼佛山（魔宗）培养多年的杀手，因善于御剑杀人，被称为“剑”。后遭遇搭档背叛与围剿，被心爱之人斩断手臂，身心俱残的剑开始自暴自弃，直至被女主一家人救下，剑逐渐被感化，并拥有了一个颇具浪漫色彩的名字——剑十二

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陈嘉、孙熙文是南京某名校的高三学生，放学后和同班死党萧乙、陈墨到先锋书店闲逛，偶遇在贴演出海报的美女林佩曦。陈嘉写了一首名为《暮色未深》的歌词，四人与林佩曦相约在城墙上见面，请她帮忙作曲。林佩曦在城墙美景的熏陶下说出了自己也想环城的愿望和将来要去法国小城学香颂音乐的梦想 。不久后，四人拿到了做好曲的歌谱，而林佩曦也悄然消失，在歌谱上留言说自己已经出国。在去参加同班女生徐媛的生日聚会前，陈嘉、孙熙文在馄饨摊竟然遇见了和萧乙父亲挽手出现的林佩曦，两人震惊不已，并把这个秘密深藏于心。萧乙爷爷病危，恪守旧礼的爷爷希望能“老”在家里。萧乙请三人帮忙，把爷爷从医院“偷”回了家里。爷爷向萧乙父母交代后世，刻意支开四人出门购买各种南京小吃。四人买完小吃在城门下汇合，却得到消息，爷爷已去。毕业将至，一场保送排名考试将决定大家的前途。班上的女神张超然认定品学兼优的陈嘉一定会和她保送到同一所大学。 考试前夜，孙熙文刚得知通过艺考的消息，他在馄饨摊默默守候林佩曦，决心报考音乐专业；收到张超然激励短信的陈嘉却对这份所有人看好的爱情心存疑虑，不想自己的人生就这样被预设。不忍对张超然明言的他在深夜开始环城直至天明，延误了考试。最后超然被保送而陈嘉落榜。2013届的毕业典礼上，小师妹对陈嘉大胆告白。而超然则在这段告白里听见了自己六年的心声，并从心里和这段青涩的爱情说了再见。又是九月，萧乙陈墨已经出国，留在南京念书的陈嘉、孙熙文又来到了城墙上，看到了学弟学妹们的环城队伍。之前觉得环城没意思的孙熙文邀陈嘉一起再环一次城，在夕阳中走进这座古老的城市。

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上世纪60年代，在密西西比州，黑佣艾比里恩（维奥拉•戴维斯 Viola Davis 饰）勤勤恳恳照顾女主人的女儿，后者因产后抑郁症只顾与闺蜜贪欢。密西西比大学毕业生斯基特（艾玛•斯通 Emma Stone 饰）在报社负责家庭主妇信箱，并由此开始黑佣的生存状态。其中，希利（布莱丝•达拉斯•霍华德 Bryce Dallas Howard 饰）无疑是反面教材，她态度傲慢，对黑佣米妮（奥克塔维亚•斯宾瑟 Octavia Spencer 饰）抱有偏见，并力主黑佣不能与主人共用厕所。最终因不堪受辱，米妮愤然离去，并以牙还牙，假借道歉之机让她蒙羞。斯基特开始采访艾比里恩和米妮，希望了解黑佣的生存状态，并为自己的新书积累素材。与此同时，马丁路德金领导的平权运动正在如火如荼地开展，而斯基特所在的密西西比州正是斗争的前沿，因为黑人遭射杀的血案，种族隔离开始，一场肤色之争在所难免……

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大阪修道街药商的女儿春琴（山口百惠 饰）生的美丽动人，但小时候因为眼疾而失明，却在三弦琴上练就出一番造化，生性清高的她不愿被人瞧不起，性格也愈发古怪起来。照顾她日常起居的是比她大四岁的仆人佐助（三浦友和 饰），伴随着春琴的佐助对小姐的照顾可谓无微不至，追随春琴学习三弦的他和春琴的接触与日俱增，逐渐心生爱意。二人的微妙关系，春琴却不为承认，直到春琴因为意外被毁容。为了不让春琴感到难过，佐助选择了刺瞎自己的双眼，这样，留在他脑海里的便是小姐永远美貌的样子。二人自此再没有什么间隙，永远的生活在了一起……                                                                      　　本片改编自谷崎润一郎的同名小说。

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　　When Kirby Lane's SUV breaks down in the middle of the desert, she must overcome the dehydration, coyotes, and lurking undead to find her way home.

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电影《风筝与风》是甘肃省伊人 文化传播公司于2013年底策划并申 报，由国家新闻出版和广电总局审核 批准的高中生励志公益电影，主要讲 述高三学生“杨峰”在面对家庭和学业 的矛盾选择时得到了新任女班主任的 一系列“违规”帮助，最终如愿以偿走 上大学之路，片长约100分钟左右。

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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.